Vol 9 No 2 (2010) | Russian Sociological Review

Book reviews

Bernard Giesen. Triumph and Trauma

Дарья Хлевнюк

112-117
- PDF (Русский)
“Culture and Method.” One More Product of Cultural Sociological Factory

Наиль Фархатдинов

118-123
- PDF (Русский)
Myth about Mediatized Center: Post-Durkheimian Approach in the Media Analysis

Наталия Комарова

124-133
- PDF (Русский)

Review essays

The Autonomy of Painting: From the Field of Art Production to the Picture’s Frame

Наиль Фархатдинов

55-74
- PDF (Русский)

Papers and essays

From Individual to Shared Affect: Post-Durkheimian Tradition in the Sociology of Emotions

Мария Деева

134-154
- PDF (Русский)
Editor’s Afterword: The Strong Program in Cultural Sociology: Commentaries on Theory, Methodology, and History

Дмитрий Куракин

155-178
- PDF (Русский)

Translations

On the Intellectual Origins of “Strong Program”

Джеффри Александер; Дмитрий Куракин

5-10
- PDF (Русский)
Strong Program in Cultural Sociology

Джеффри Александер, Филипп Смит; Светлана Джакупова

11-30
- PDF (Русский)
Art as a Cultural System

Клиффорд Гирц; Даниил Аронсон; Андрей Корбут (Translation Editor)

31-54
- PDF (Русский)

Untitled section

Editor's Introduction

Александр Филиппов

4-4
- PDF (Русский)
On the Intellectual Origins of “Strong Program”

Джеффри Александер; Дмитрий Куракин

5-10
- PDF (Русский)
Strong Program in Cultural Sociology

Джеффри Александер, Филипп Смит; Светлана Джакупова

11-30
- PDF (Русский)
Art as a Cultural System

Клиффорд Гирц; Даниил Аронсон; Андрей Корбут (Translation Editor)

31-54
- PDF (Русский)
The Autonomy of Painting: From the Field of Art Production to the Picture’s Frame

Наиль Фархатдинов

55-74
- PDF (Русский)
Ron Eyerman. Toward a Meaningful Sociology of the Arts

Екатерина Фень

75-80
- PDF (Русский)
Robert W. Witkin. Chewing On Clement Greenberg: Abstractions and the Two Faces of Modernism

Наиль Фархатдинов

81-86
- PDF (Русский)
Julia Chi Zhang. The Meaning of Style: Postmodernism, Demystification, and Dissonance in Post-Tiananmen Chinese Avant-Garde Art

Анна Чистякова

87-91
- PDF (Русский)
Steve Sherwood. Seeker of the Sacred: A Late Durkheimian Theory of the Artist

Екатерина Грибова

92-98
- PDF (Русский)
Tia DeNora. Music as Agency in Beethoven’s Vienna

Анна Волик

99-105
- PDF (Русский)
Lisa McCormick. Music as Social Performance

Мария Поликашина

106-111
- PDF (Русский)
Bernard Giesen. Triumph and Trauma

Дарья Хлевнюк

112-117
- PDF (Русский)
“Culture and Method.” One More Product of Cultural Sociological Factory

Наиль Фархатдинов

118-123
- PDF (Русский)
Myth about Mediatized Center: Post-Durkheimian Approach in the Media Analysis

Наталия Комарова

124-133
- PDF (Русский)
From Individual to Shared Affect: Post-Durkheimian Tradition in the Sociology of Emotions

Мария Деева

134-154
- PDF (Русский)
Editor’s Afterword: The Strong Program in Cultural Sociology: Commentaries on Theory, Methodology, and History

Дмитрий Куракин

155-178
- PDF (Русский)
Abstracts

179-181
- PDF (Русский)

Summaries

Ron Eyerman. Toward a Meaningful Sociology of the Arts

Екатерина Фень

75-80
- PDF (Русский)
Robert W. Witkin. Chewing On Clement Greenberg: Abstractions and the Two Faces of Modernism

Наиль Фархатдинов

81-86
- PDF (Русский)
Julia Chi Zhang. The Meaning of Style: Postmodernism, Demystification, and Dissonance in Post-Tiananmen Chinese Avant-Garde Art

Анна Чистякова

87-91
- PDF (Русский)
Steve Sherwood. Seeker of the Sacred: A Late Durkheimian Theory of the Artist

Екатерина Грибова

92-98
- PDF (Русский)
Tia DeNora. Music as Agency in Beethoven’s Vienna

Анна Волик

99-105
- PDF (Русский)
Lisa McCormick. Music as Social Performance

Мария Поликашина

106-111
- PDF (Русский)

Full Issue

Book reviews

Review essays

Papers and essays

Translations

Untitled section

Summaries